Xem Xem Phim The Help 2011 Vietsub Online

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Xem Xem Phim The Help 2011 Vietsub Online

Đoàn làm phim

Cục nghệ thuật phối hợp : Ayem Jaycey

Điều phối viên đóng thế : Gethyn Mathias

Bố cục kịch bản :Ewen Arnulfo

Hình ảnh : Meunier Anaelle
Đồng tác giả : Danae Onie

Nhà sản xuất điều hành : Aleyna Djena

Giám đốc nghệ thuật giám sát : Marilu Fabliha

Sản xuất : Byran Atifah

Nhà sản xuất : Wiem Yoonis

Nữ diễn viên : Minetta Garelli

Aibileen Clark is a middle-aged African-American maid who has spent her life raising white children and has recently lost her only son; Minny Jackson is an African-American maid who has often offended her employers despite her family's struggles with money and her desperate need for jobs; and Eugenia "Skeeter" Phelan is a young white woman who has recently moved back home after graduating college to find out her childhood maid has mysteriously disappeared. These three stories intertwine to explain how life in Jackson, Mississippi revolves around "the help"; yet they are always kept at a certain distance because of racial lines.

8.1
4428

Tên phim	The Help
Thời lượng	162 minutes
Năm sản xuất	2011-08-09
Trạng thái	AAF 720p BDRip
Thể loại	Drama
Ngôn ngữ	English
Diễn viên	Hafsha H. Nareen, Marcene G. Barnabé, Eileen E. Draper

[HD] Xem Xem Phim The Help 2011 Vietsub Online

Phim ngắn

Chi tiêu : $583,830,044

Doanh thu : $392,595,840

Thể loại : Làm việc - Lòng trung thành , Làm việc - Ý tưởng, Câu đố - Sinh lý học , Trò chơi điện tử - Phim tình yêu

Nước sản xuất : Nevis

Sản xuất : 3DigitalVision

محطة الفضاء الدولية ويكيبيديا ~ المحطة الفضائية الدولية بالإنجليزية International Space Station وتعرف اختصاراً ISS هي محطة فضاء دولية تدور على ارتفاع 390 كيلومتر تقريباً عن سطح كوكب الأرض وبسرعة 28 ألف كم في الساعة صممت محطة الفضاء الدولية لتأخذ محل ومهام محطة

إل بي لورا بيرغوليتزي مغنية ويكيبيديا ~ LP الألبومات at Discogs إل بي لورا بيرغوليتزي مغنية على مواقع التواصل الاجتماعي إل بي لورا بيرغوليتزي مغنية على فيسبوك

برمجة لغوية عصبية ويكيبيديا ~ هوامش Research Findings on Neurolinguistic Programming Nonsupportive Data or an Untestable Theory Sharpley Journal of Counseling Psychology 1987 Vol 34 No 1 103107 Abstract NeuroLinguistic Programming Volume I The Study of the Structure of Subjective Experience Dilts Robert B Grinder John Bandler Richard DeLozier Judith A Meta Publications 1980

محطة توليد طاقة كهربائية ويكيبيديا ~ محطة توليد الطاقة منشأة تُنتج الطاقة الكهربائية حيث يتم تحويل الطاقة الحرارية المستخدمة في المحطة إلى طاقة حركة لتشغيل المولد الكهربي الذي يعتبر العنصر الرئيس الذي تعمل كل عناصرالمحطة من أجل تشغيله

شبكة صنفية ويكيبيديا ~ مقدمة في الأصل، عنوان IPv4 مرّمز على 32 بت وكان منطقيا بأن ينقسم إلى عدد من الشبكات الميدانية، والأكثر أهمية 8 بتات من العنوان، والتي حددت الشبكة الخاصة المضيفة الملحقة بها والعنوان المحلي وكما تسمى بقية الحقل بقية من

فضاء متجهي ويكيبيديا ~ الفضاء الاتجاهي أو الفضاء المتجهي أو الفضاء الشعاعي بالإنجليزية Vector space هو كائن أساسي في دراسة الجبر الخطي هو مجموعة من عدة متجهات والتي هي كائنات يمكن إضافتها مع بعضها البعض وضربها بأعداد، التي يطلق عليها كميات

برمجة خطية ويكيبيديا ~ البرمجة الخطية بالإنجليزية Linear programming هي أسلوب أساسي ومهم يساعد متخذي القرار على اتخاذ قرارات صحيحة وبطريقة علمية وتعد مسائل البرمجة الخطية جزءاً من مسائل البرمجة الرياضية التي تشمل الخطية منها واللاخطية؛ ثم إن

محكمة العدل الدولية ويكيبيديا ~ 2009 2018 روني أبراهام · أنطونيو أوغوستو كانسادو ترينداد · عبد القوي أحمد يوسف · كريستوفر غرينوود · دالفير بهاندير منذ 2012 2012 2021 جورجيو غايا · شيويه هان تشين · هيساشي أوادا · بيتر تومكا · جوليا سيبوتيندي

اتفاقية سايكس بيكو ويكيبيديا ~ اتفاقية سايكس بيكو في 1916 هي معاهدة سرية بين فرنسا والمملكة المتحدة بمصادقة من الإمبراطورية الروسية وإيطاليا على اقتسام منطقة الهلال الخصيب بين فرنسا وبريطانيا ، ولتحديد مناطق النفوذ في غرب آسيا وتقسيم الدولة

إنفلونزا ويكيبيديا ~ أسبابها هناك ثلاثة أنواع من فيروسات الأنفلونزا تُصيب البشر، تسمى النوع a، النوع b، والنوع c عادة ما ينتشر الفيروس عن طريق الهواء من السعال أو العطس يحدث هذا غالبا على مسافات قصيرة نسبيا ويمكن أيضا أن تنتشر عن طريق لمس

Great setting, cast, story and performances. A must to be seen.
I just watched The Help, almost immediately after finishing the book. Now, when comparing The Film to The Book it was based on (generally speaking), one major rule of thumb almost always applies: The Book is better. The Help is no exception.

Accordingly, with the novel still so fresh in the back of my mind, separating my mind from the book in order to enjoy the film was an almost impossible task. No matter how hard you try, you just can't quit comparing the two, nitpicking every detail and being frustrated with everything they changed. Nevertheless, I was still able to enjoy the film for what it was, though I am glad that I possessed full knowledge of the actual story.

The Help tells the story of black domestic servants in 1960's Jackson, Mississippi. It focuses on white Miss Eugenia 'Skeeter' Phelan, and her efforts to give a voice to black maids by writing their stories from their perspective and thus giving them an opportunity to be heard for the first time in their lives. Among the black women, Aibileen and Minny are the two key characters.

So let's just get the "bad" stuff out of the way. One of the elements in the novel that I enjoyed the most was the incredibly delicate bond of trust and understanding that builds up (over an extensive period of time) between Aibileen and Skeeter. It really does take Skeeter a long time before she finally wins Aibileen over and convinces her to share her deepest feelings with a white woman. In the film, this process felt rather rushed, like Aibileen just woke up the next morning and decided to do it. What bothers me about this is not just the fact that (oh, cliché) it was "better" in the book, but mostly because the film forgets to underline WHY it took so long. Not only is it much more clearly explained in writing that these black women face an incredible danger in divulging their true feelings about the white women they work for, the film also fails to capture the palpable tension and sense of urgency of the book. These women aren't just risking their jobs, they are risking their lives, AND the lives of their loved ones. They're in danger just for being seen talking to a white lady. I found this to be a rather big flaw of the film.

The film also lacks a lot of the character development I was hoping for. Quite a few character changes were made, so that in the film they all just kind of appear out of nowhere, and more or less seem to go about their business without – again – the big "why" of it all. One of the most underexposed characters was a woman named Celia Foote, who is a poor white trash girl who married way out of her league – and because of it, has to face the constant disgrace and condescension from the other stuck-up, "sophisticated" white ladies. Celia is just the sweetest, loveliest person in the entire story, and her relationship with her maid Minny is heart warming. The fact that they barely included this in the film is a real shame.

OK – if I keep comparing the film to the book, this review will never reach its end. Obviously, there is a lot more I could (and certainly want to) say, but it's not really relevant to the effectiveness of this review. So, moving on.

At least they got the actors right! Each and every one of them was cast spot-on to their character. Emma Stone is wonderful as Skeeter –capturing her youthful daring and naiveté perfectly. There's also something about her voice and attitude that make it clear that this girl is different from her snooty bridge club peers. Viola Davis is the perfect Aibileen – all I kept thinking was, damn, she should have gotten that Oscar. Her performance is very moving and heartfelt. Octavia Spencer did actually win an Oscar for her role as Minny, and it was well deserved. She is exactly as I imagined Minny to be – sassy, smart-mouthed and with an attitude that could render any white woman speechless, even if it means losing her job a dozen times. Celia Foote is played by Jessica Chastain, and I fear I'm at risk of doubling over in superlatives to describe how perfect she was, so I'll just leave it at this.

The Evil Witch in this story is Hilly Holbrook, played by Bryce Dallas Howard. I'm not sure how big of a compliment it is to say that she is very good at playing a snide, cunning racist – so let's just say she is a very good actress. Another actress worth mentioning is Allison Janney, who plays the role of Skeeter's mother. Though she is not quite like I imagined her the way she was in the book (there we go again...), I always enjoy her performances very much and this one's no exception. Oh, and Sissy Spacek plays Hilly's mother, and she is a delight to watch. I got the feeling that the director extended her role to a little more than what it was in the book, just to give her more screen time. I don't blame him.

Overall, the film is properly paced and reasonably well-constructed, though some creative liberties are taken here and there considering the timeline. In comparison to the book, it is a little disappointing, but I can't think of a single book-to-film adaptation where this wasn't the case.

I still rate The Help 8 out of 10, because I think it is an important story to be told and the performances are stellar, but if you have a little more patience, I strongly recommend reading the book instead.
_(March 2013)_

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